Charada is a contemporary wabi-sabi tapestry in white cotton — a generous piece toward the viewer, at times playful, at times sincere. It offers the sobriety of symmetrical, linear form alongside that voluminous punctum which, as Barthes described it, pierces through and takes the stage like an arrow.
The white canvas is an enigma. In profile, the volume takes on different forms depending on its arrangement, revealing something like a riddle. The Charada tapestry is a pure, serene, and even white — a white that turns bright, dazzling. White sits at the far end of the color spectrum.
Charada — contemporary wabi-sabi tapestry, generous toward the viewer
The inspiration in the wabi-sabi combines the attention to composition and the warmth of the beauty of the imperfection present in everyday objects.
W. Kandinsky, for whom the problem of colors far exceeded the problem of aesthetics “White, which has often been considered a” non-color “is like the symbol of a world where all colors, as properties of material substances, they have vanished. White acts on our soul like absolute silence. This silence is not dead; it is brimming with living possibilities. It is a nothing full of youthful joy or, to put it better, a nothing before every birth, before every beginning. This is perhaps how the earth resounded, white and cold, in the days of the ice age” The dawn cannot be better described, without naming it (Jean Chevalier).
The Charada tapestry is large; its presence is solid and sober. The interpretation is simple and deep, horizontally the story is continuous and uniform, vertically it is movement and peculiarity. Charada tapestry wabi-sabi inspiration, Japanese aesthetic vision based on the beauty of imperfection.
CHARADA — contemporary wabi-sabi tapestry in white cotton, limited edition
