Charada Tapestry is inspired by the Japanese wabi-sabi philosophy. It is a story generous to the observer, sometimes a sham, sometimes sincere.
It is sober with the linear shape and the voluminous punctum, which according to Barthes, stands out and comes out on stage like an arrow.
The white canvas is an enigma. In profile, the volume shows different shapes, revealing a riddle.
The Charada tapestry is pure white, serene, homogeneous. White drifts into brilliant, dazzling. White is at the extreme end of the color gamut.
Tapestry Charada inspired by wabi-sabi is a generous story with the observer. It combines the detail of the composition and the warmth of the beauty of the imperfection present in everyday objects.
W. Kandinsky, for whom the problem of colors far exceeded the problem of aesthetics “White, which has often been considered a” non-color “is like the symbol of a world where all colors, as properties of material substances, they have vanished. White acts on our soul like absolute silence. This silence is not dead; it is brimming with living possibilities. It is a nothing full of youthful joy or, to put it better, a nothing before every birth, before every beginning. This is perhaps how the earth resounded, white and cold, in the days of the ice age” The dawn cannot be better described, without naming it (Jean Chevalier).
The Charada tapestry is large; its presence is solid and sober. The interpretation is simple and deep. The horizontal line speaks of a continuous and uniform story, and the vertical braid tells of movement and uniqueness. Charada tapestry wabi-sabi inspiration, Japanese aesthetic vision based on the beauty of imperfection.